LIFE IN A DAY 1

These are some of my favorite youtube videos for Ridley Scott's experiment - LIFE IN A DAY

frapyourface US



juliemeitz



jaymieandsuchas



danielpataro

8 people with 5 instruments from 4 Continents speaking 3 languages for 1 song.

Brian at CAIN MOSNI thought of a cool concept and coordinated a virtual "jam session" with musicians from all over the world!

http://www.youtube.com/watch?v=1oU0I8APK-o

Jam Session 2.0 from Cain Mosni on Vimeo.

Across the seas I hear piano keys playin, translating languages
through the rhythms in beats bangin, a universal exchange, of personal
pains and joys, it started with a verse, each person just came and
joined in, some are complete strangers, some only teenagers, all of us
creators, , we are the dreammakers, internationally transmittin
through bandwidth, passin this bands passion so the masses can jam
with us, all are invited to play, none are required to pay, let the
virus spread, inspire heads, go pirate away, this is that free music,
for people who need music, just listen and breathe to it, I hope that
you feel movement, different souls around globe, connected through
sound makin, they set the foundation now we take it to groundbreakin,
everybody played there part and now we have one song, and this is how
an unheard voice becomes strong

You Tube - The New Cinema Incubator

On December 4th, 2008 I posted on my blog "An Anthropolgy on You Tube", a video by Michael Wesch, an anthropologist from Kansas who presented a talk to the Library of Congress about the sociological effects of YouTube.

A comment about Wesch's presentation, written by Jennifer Hightower on filmmaker.com has anticipated the incredible investment in a five-minute short film posted on YouTube.

"Wow
The video was really long, but eye opening. Anyone who is a filmmaker should watch this, because this youtube phenomenon effects us all. So now, has the the notion of a filmmaker completely changed? Youtube is proof that high budget movies, and A-list actors do not necessarily a great film make. As film makers we are faced with the very real question of wether we will ignore this new phenomenon, or embrace it. To ignore it would be a great error, I think, because to ignore the power youtube on our society, is to ignore the needs of our audience. There is a huge gap between high budget films (and even Indie films) and films that are circulating on youtube. If someone could figure out a way to bridge that gap, I think that person would revolutionize media as we know it. It's an idea that deserves consideration sooner rather than later, because it seems to me that there is going to be an inevitable change in the way we make movies all together, and anyone who is stubborn about the change is going to be left behind. Not since the introduction of talking motion pictures has something so profound hit the publics interest, and it's very exciting!"

One year after my post, the notion of a filmmaker needs a new definition.

Ataque de Panico, a film by Fede Alvarez - A budding filmmaker from Uruguay, whose $300 low-budget alien invasion short became a viral video hit, has landed a $30-million US movie deal in Hollywood.



full story @ http://www.cbc.ca/arts/film/story/2009/12/17/alvarez-youtube-hollywood-movie.html?ref=rss



Still from Fede Alvarez's Ataque de Panico!

Many thanks to my filmmaker friend, Tanyeno Wotorson (Honor Pictures) for sharing this historical news with us :)

An Anthropological Introduction To YouTube

http://www.filmmaker.com/node/18421
June 23rd, 2008- an anthropologist from Kansas presented a talk to the Library of Congress about the sociological effects of YouTube. It's worth a look. You may also be interested in his other widely popular video about Web 2.0.

http://creativecommons.org/weblog/entry/8747
Michael Wesch, creator of the strikingly insightful videos “A Vision of Students Today” and “The Machine is Us/ing Us”, gave a presentation at the Library of Congress back in May on the anthropology of YouTube. The presentation was the third in a series called “Digital Natives,” natives being basically my and probably your generation if you’re reading this. It’s about the net and the people who grew up with a computer humming by their bed stands. Wesch delves into this phenomenon that is us—how we think and how we perceive and connect with the world differently due to the internet and new media like YouTube.

“An anthropological introduction to YouTube” is where “traditional” academic research and the new media landscape intersect. It is the anthropological perspective and study of our generation’s fascination with YouTube,





Comment
Wed, 08/20/2008 - 12:26 — Jennifer Hightower (not verified)

Wow
The video was really long, but eye opening. Anyone who is a filmmaker should watch this, because this youtube phenomenon effects us all. So now, has the the notion of a filmmaker completely changed? Youtube is proof that high budget movies, and A-list actors do not necessarily a great film make. As film makers we are faced with the very real question of wether we will ignore this new phenomenon, or embrace it. To ignore it would be a great error, I think, because to ignore the power youtube on our society, is to ignore the needs of our audience. There is a huge gap between high budget films (and even Indie films) and films that are circulating on youtube. If someone could figure out a way to bridge that gap, I think that person would revolutionize media as we know it. It's an idea that deserves consideration sooner rather than later, because it seems to me that there is going to be an inevitable change in the way we make movies all together, and anyone who is stubborn about the change is going to be left behind. Not since the introduction of talking motion pictures has something so profound hit the publics interest, and it's very exciting!

http://www.filmmaker.com/node/18421

What YouTube's 'Charlie bit my finger' tells us about Web 2.0

Have you seen "Charlie bit my finger – again!"? Well, about 53 million people have, and it hasn't been on a big screen anywhere.
This movie has had no marketing, no trailer, no production expenses, and certainly no highly paid actors. Instead it followed a simple formula: Toddlers + Laughter + YouTube = Huge Traffic.
But here's the really interesting part: Tens of thousands of people who saw this clip did more than just smile and surf on.
They "mashed" it up with other media ("Charlie Bit Sarah Palin"), created a song about it ("Charlie bit my finger – The Musical"), created their own versions ("Shoshi bit my finger … again!"), posted their own comments, shared it with friends, or otherwise interacted with the original clip.
This is the world of Web 2.0. It is the evolution of Web platforms that are supporting millions of simultaneously connected global conversations. And it promotes the idea that a community is more powerful than an individual.
The point of this new media landscape is to create something and share it with the world. When we post anything to the Web, we are begging for a conversation. We want to be ridiculed, called out, accepted, talked about, linked to, and, most important, not ignored.
It's easy to criticize the rise of participatory social media as a giant waste of time. And it's true that a fair amount of what's being created is adolescent. But that criticism misses the point: This trend is setting the stage for greater long-term engagement. It's an indicator that people are working to find new ways to collaborate and to be part of something larger than they are individually. The sheer immensity of the participation is the story.
Think about where the Internet was just a decade ago. Getting online was a chore. News sites were updated just once or twice a day. That was the static world of Web 1.0. Ironically, that platform emerged from the government's desire to promote collaboration among researchers and scientists, yet at the outset, it seemed best suited for e-commerce.
Today the Web landscape is dominated by blogs, wikis, and social networks. It is finally fulfilling its original promise of interaction, engagement, collaboration, and conversation. We are living through a media revolution that is set to explode this political season.
And who is driving this revolution? Teens. For them, this isn't "technology," it's just the way things are.
They have grown up in a media ecology that pushes them to manage time, identity, privacy, and persona in ways that we have never been asked. They time-shift television to watch it on their mobile devices. They create and share audio, video, and pictures at an amazing pace. They spend as much time honing their Facebook profiles as they do working on schoolwork. Here at Penn State, about one-third of our 90,000 students created at least one form of digital media last year.
They are smart and very talented individuals coping in a new social, political, and media landscape that is driving radically different kinds of behaviors. Many describe these teens as digital natives. So guess what that makes the rest of us? Digital immigrants.
In many ways, the rebirth of the Web as a collaborative platform is because of them. Their intense expectations for connections, regardless of our understanding of them, are driving new business models and shifting the way people connect, share, and collaborate across every node of the Web. They intuitively understand that participation requires promotion. When they post content, they market it aggressively via word of mouth, Twitter, Facebook, etc.
Again, this isn't just narcissism writ large. When teens and young adults do this, they report that their motivation is to have their friends reflect on what they have created, comment on it, and move the conversation forward.
In the next few weeks, pay attention as the big media personalities do the "real" reporting. And then watch how many iReports are cited, how many Twitter streams are mentioned, and how many YouTube videos turn into real campaign commercials. You'll be stunned.
In a Web 1.0 world, you would have needed real skills and access to a distribution network to do any of it. Those days are over. Charlie says so.
Agree? Disagree? Join the conversation at http://camplesegroup.com/blog.