Sunday, January 24, 2010

Haiti and Love Evolution

The world's incredible outpouring of help to thhe people of Haiti raises the queestion: are we evolving to become more compassionate and collaborative in our quest to survive and thrive? A research team at the University of California, Berkeley, says "yes."
(via @Wildcat2030 on Twitter )

Read more http://www.dailygalaxy.com/my_weblog/2010/01/the-haiti-response-is-the-human-species-hardwired-to-be-compassionate-a-weekend-feature.html

Jim Carrey on the Power of Intention

"There is a powerful driving force inside every human being that once, unleashed, can make any vision, dream or desire a reality." -Anthony Robbins
The driving force is the human emotion, wonderfully translated by Jim Carrey in the Power of Intention. Everything is possible, it's just a matter of time.



“Andrea.”
“Are you aware that—do you have the distinct, palpable feeling that your intention helped create this evening?”
“Absolutely,” she replied promptly.
“Do you understand that all of this, this entire event, is happening inside you?”
A pause, then an uncertain, “Ye-e-e-s.” The audience laughed.
“I hope you can feel that,” Carrey said. “I hope you can understand that you are one of the creators of this evening. … And then I hope you are able to ask yourself—“Why did I get such a crappy seat?”

:D :D



PS I dreamed Jim Carrey few months ago. No joke :))

Tuesday, December 29, 2009

The Age of the Marvellous and Consilience: The Unity of Knowledge




Emotions of awe, wonder, surprise and astonishment.



In his 1998 book Consilience: The Unity of Knowledge, Wilson discusses methods that have been used to unite the sciences, and might be able to unite the sciences with the humanities. Wilson prefers and uses the term "consilience" to describe the synthesis of knowledge from different specialized fields of human endeavor. He defines human nature as a collection of epigenetic rules, the genetic patterns of mental development. He argues that culture and rituals are products, not parts, of human nature. He says art is not part of human nature, but our appreciation of art is. He argues that concepts such as art appreciation, fear of snakes, or the incest taboo (Westermarck effect) can be studied using scientific methods. Previously, these phenomena were only part of psychological, sociological, or anthropological studies. Wilson proposes that they can be part of interdisciplinary research.



Tuesday, December 22, 2009

The Big Blue: Home, Europa, Plato's Atlantis and Our Avatar

BLUE - a colour that always tells a story. My fascination has a declaration now... A connection of visual epic moments which made me believe that Atlantis still exists in our DNA. We have only to understand the message. We are searching for our AVATAR.

1. HOME, THE BIG BLUE on THE BLUE MOON In 200,000 years on Earth, humanity has upset the balance of the planet, established by nearly four billion years of evolution. The price to pay is high, but it's too late to be a pessimist: humanity has barely ten years to reverse the trend, become aware of the full extent of its spoliation of the Earth's riches and change its patterns of consumption.



HOME is a environmental documentary about Earth produced by Luc Besson and directed by Yann Arthus-Bertrand, an acclaimed aerial photographer. Glenn Close does the English narration and everything is sublime.



It was launched on You Tube in the same day with its theatrical release.
YouTube, in a post on the company blog, said the event "marks the first time a global audience can watch a movie online, in movie theaters, on TV stations, and on outdoor screens around the world at the exact same time." You can watch the full movie on you tube. HOME
I loved LUC BESSON from his first movie , THE BIG BLUE. He spent his childhood following his parents around the world. They were scuba diving instructors. His early life was entirely aquatic.
Following a serious diving accident at age 17, Paris-born Luc Besson left behind his childhood ambition of becoming a marine biologist to try his hand at filmmaking.

The Big Blue, my favorite movie, (French: Le Grand Bleu), released in 1988, is the first English-language film made by Luc Besson. The film stars Jean-Marc Barr, Rosanna Arquette, Jean Reno and depicts a fictionalized account of the sporting rivalry between two famed free divers. It is inspired by Jacques Mayol's life, the DOLPHIN MAN.



The movie was dedicated to his daughter Juliette Besson who required surgery, having become ill whilst he was working on the film.

Luc Besson's production company is called EUROPA Corp. Logically the name comes from Jupiter's Moon, Europa.



A scientist at Kennedy Space Center claims NASA has discovered evidence for dolphin-like creatures living under the ice on the BLUE MOON Europa. A metaphysical theory states that life on European is connected to the dolphins on planet Earth, communication via telepathic tones.



2. PLATO'S ATLANTIS
First described by Plato, Atlantis and its catastrophic downfall is one of popular science's most enduring controversies - the original location of the vanished civilisation is still hotly debated.
Quite why a story written 2,500 years ago by the Greek philosopher Plato continues to capture the public imagination is a mystery in itself - a mystery fed by countless books, films, articles, web pages, and now a fashion show. It has spawned a rich populist sub-culture (much of it internet-based) which pits the passions and imaginations of committed 'Atlanteans' against the orthodox analysis of the scientific mainstream.

PARIS, October 6, 2009
McQueen's collection, Plato's Atlantis, was live-streamed on Nick Knight's SHOWstudio.com, intercut with the photographer's premade video footage.



According to Style.com, this latest collection entitled “Plato’s Atlantis” was created to cast an apocalyptic forecast of the future ecological meltdown of the world. With humankind made up of creatures that evolved from the sea, McQueen used fashion to demonstrate how man may be heading back to an underwater future as the ice cap dissolves.



In a section in which it looked as if McQueen was envisaging a biological hybridization of women with sea mammals, there were trousers whose bulbous flanks mimicked the skin of sharks or dolphins.






3. AVATAR

James Cameron's long-awaited, much-touted 3D motion-capture technique is a step towards the future. What we see on screen during Avatar is nearly impossible to explain with words.
Avatar is Cameron's latest magnum opus is probably one of the most anticipated movies since Titanic and now it seems that the visionary director has indeed created a film that'll revolutionise the world of cinema.



In a distant future, humanity discovers the planet 'Alpha Centauri B-4', and for those scientists and astronauts who've traversed the gulf between neighboring suns and arrived on its alien soil know it as 'Pandora'. A world filled with an incredible diversity of beautiful and deadly ammonia-breathing lifeforms. Its also a world that harbors treasures and resources almost beyond price. But just as the original Pandora's Box wrought devastation on those who would use it for their own gain, so too this world may destroy not just the Pandorans home, but ours as well.
Avatar is the story of a wounded ex-marine, thrust unwillingly into an effort to settle and exploit an exotic planet rich in bio-diversity, who eventually crosses over to lead the indigenous race in a battle for survival.




Cameron's blue creatures, a genetically engineered hybrid manufactured by blending human DNA with that of the native Na’vi, McQueen's hybridization of women with dophins and sharks, Besson's dolphin man are all together fruits of our imagination. They feed our hungry memory.

Directors are the chosen ones. They can see what we need to see, helping us to remember who we are.

Remember HOME. One day, from a distant Blue Moon, we have to tell a story.





Sunday, December 20, 2009

Andreea Perminov, my second story




I met Andreea in 2003 during the casting for the The Fall. I didn’t pay much attention to her because she was an extremely shy kid, and had little in common with the character I was casting for. But her beauty did strike me, and I decided to keep her in mind for other projects. Meanwhile, she was selected to do a few commercials, and TV shows, but nothing special.

In fact, the persons who “discovered’ her were Laura, my colleague and Oltin, the photographer who captured her essence in the snapshots. In the beginning of 2006, after her photo shoot, Oltin requested another session with Andreea, ASAP. The result – general shock. I don’t think I had ever seen such a unique, such a sophisticated look. Pictures say a lot about the potential of a future character, but, surely enough, Andreea’s pictures were a character in themselves.


A friend of mine contemplated her picture and resolved that her eyes come from somewhere. He was right…. Andreea’s family history is quite peculiar. Her grandfather on her father’s side, Victor Perminov, a reputable physician and scholar, comes from an ancient military, and aristocratic, Russian family, reputed to have been among the founders of the city Perm during the reign of Peter the Great. Victor’s wife – a scientist and mathematician – has German origins, and comes from a well-known intellectual family. She is the granddaughter of Hans-Dietrich Genscher, the former German foreign affairs minister, one of the architects of the German reunification. On her mother’s side, Andreea completes her genetic bloodline with the legacy of a typical Romanian family, natives for generations of the village Rasusceni, in Giurgiu County.

In the beginning, Andreea was almost alarmingly shy and detached. The only thing she liked to converse about was shopping, whereby some people’s conclusion that her “simplicity” alluded more to a modeling career, rather than acting. And yet, Andreea finished 6th grade as the top student in her school. That she is extremely intelligent, you can tell by just looking into her eyes.

Aware of her refined beauty and intelligence, she can become very manipulative in close circles; she is one who always gets her way. But her attributes do more than make her conspicuous; she has that je ne sais quoi that makes her extremely intriguing.

She is highly sensitive, but she has developed numerous ways of hiding it. Thus, she can manufacture quite a devious persona, acting downright impervious, cold, distant, and even arrogant, but that is just a form of camouflaging her emotions, to protect her delicate nature.

She has a fantastic potential, and can can seduce anyone on the spot. Joel Schumacher, who discovered giants like Collin Farewell, Julia Roberts, Kiefer Shuterland, gave her first role in a Hollywood movie. Schumacher is one man who thinks Hollywood spells a great future for Andreea. When Schumacher first saw her picture, he stared at it for a full half hour. The video session that Andreea had recorded set her aside as completely unique and unexampled, and granted her the part in Town Creek on the spot. In fact, Schumacher didn’t ask for anybody else to come in to audition. She makes a very good role in Town Creek as a girl who rescues her family, metamorphosing from the victim that she was at the beginning of the movie.



In 2007, she was distributed in the Clown by Marco Valerio Pugini, producer of The Sopranos, Angels in America, Rome. She did a very complicated role as a homeless girl who dies at the end of the movie. Her interpretation was so amazing that she was compared to Charlize Theron in Monster. One thing that moved even the director was that she wanted to immerse herself into the life of the homeless child she was portraying on film. She often went into the dark alleys, and smelly sewers, squatting down on her feet, and talking to these unfortunate children, touching their pain and anguish. She was never satisfied with what she imagined a homeless one would feel, think, and bear, but she wanted to know the reality of their lives. She endured the cold, the stench, and dreadful privations of these children as she got deeper into their underground world. One would almost never suspect this strong human dimension in such an exquisitely beautiful girl.



Andreea is not a conscious actor, she is a believer. She not “schooled” in acting; all that she has to give in front of the camera comes naturally from the inside, from a deep understanding of hers of the character she interprets. She is genuine, and real. I have a strong conviction that she is a special talent able to take on the most difficult roles. There is an aura about her, and she explodes in light. Andreea Perminov is a natural born star.